
Florence
About
Discover the history of Florence
Florence is a city of ochre stone on the Arno, small enough to cross on foot in a morning. The dome of Florence Cathedral went up in the fifteenth century without a central scaffold; it can be seen from everywhere, and a narrow stair climbs between its two shells. On the Ponte Vecchio, goldsmiths' shops have hung over the water since the Middle Ages. The Renaissance was born here and never left: Botticelli's Venus at the Uffizi Galleries, Michelangelo's David at the Accademia Gallery, the tombs of Michelangelo and Galileo in the Basilica of Santa Croce. Across the river, the avenues and statues of the Boboli Gardens rise towards the hill, and the Oltrarno workshops still work leather and gold leaf by hand. Piazzale Michelangelo holds the postcard view, dome, bell tower and hills inside a single frame. Bistecca alla fiorentina comes thick and rare, with a glass of Chianti.
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Discover the best attractions in Florence and its surroundings
Florence Cathedral
Brunelleschi's dome, finished in 1436, is still the largest masonry vault ever raised without centring. A single ticket covers dome, bell tower, baptistery and crypt, and the dome climb is booked to a fixed slot.
Piazzale Michelangelo
This terrace, laid out in 1869, gives the full view over the Arno, its bridges and the dome. Climb the Poggi ramps from Porta San Niccolò or take bus 12; the light is best at sunset.
Ponte Vecchio
The only Florentine bridge spared in 1944, lined with goldsmiths ever since the butchers were expelled in 1593. Vasari's corridor crosses it on the upper floor, linking Palazzo Vecchio to Palazzo Pitti.
Uffizi Galleries
The Medici's former administrative offices hold the Birth of Venus, the Primavera and the Doni Tondo. Book a timed slot: entry is free on the first Sunday of the month, which is also the busiest day.
Basilica of Santa Croce
This Franciscan basilica holds the tombs of Michelangelo, Galileo and Machiavelli, along with Giotto's frescoes in the chapels beside the high altar. Entry is ticketed, through the facade on the square; shoulders and knees must be covered.
Accademia Gallery
Michelangelo's David, 5.17 metres carved from a single marble block, has stood here since 1873 alongside the unfinished Prisoners. Booking is essential in high season — the walk-up queue is the longest in town.
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